Zach and Rashmi continue their journey through Japanese Horror with a closer look at Eiji Tsuburaya and the Tokusatsu genre at large by dissecting 1949’s THE INVISIBLE MAN APPEARS and 1957’s THE INVISIBLE MAN VS. THE HUMAN FLY (1957).
Stay tuned for loving dive into the world of Visual Effects and how the techniques spread through the country and how the films managed to help spark a flame of spectacle filmmaking that would grow even bigger over time.